![]() Likewise, the level of detail in the prehistoric animals of “Ice Age: The Meltdown” demonstrate just how far Fox’s animation technology has evolved since the first film, in which the fur was more stylized. “Every character had a different tactile quality, from the soft downiness of the possum to the bristly porcupine,” Johnson says, “and we wanted to make each one distinct, and to have a sense of the fur’s weight and thickness, and what it would feel like to touch them.” DreamWorks animators ignored fur altogether on “Flushed Away,” giving the rats the same smooth, claylike surface of the stop-motion characters in Aardman’s “Chicken Run,” but chose to create detailed coats for a wide variety of animals in “Over the Hedge.” Now that software is capable of rendering photorealistic fur, animators have total creative freedom in character design. ![]() “By moving the eyes into the windshield, it made the entire car the head of the character.”īut the bodies matter, too. In anthropomorphizing four-wheeled autos for “Cars,” director John Lasseter tried using the wide-spaced headlights as eyes, but it gave the cars a snakelike appearance, he says. Someone out there will argue that Mumble had to keep his odd appearance because of children needing to make the visual connection. Little Mumble isnt like the other penguinshe loves to dance When the penguin elders blame Mumbles unique 'happy feet' for the shortage of food, Mumble bravely sets off on an epic quest to prove them wrong and the future king. ![]() “A lot of animals have (eyes) on the side of their heads, so you have to flatten those faces and humanize them,” Johnson explains. Happy Feet: The Movie Storybook is a tie-in Happy Feet storybook written by Megan E. That explains why, in the transition from Mickey Mouse-style 2-D character design to CG cartoons, eyes have evolved from simple black dots to striking, jeweled irises. “Nothing’s truer than the old saying, ‘The eyes are the window to the soul,’ ” says Tim Johnson, co-director of “Over the Hedge.” “Whether it’s live-action or animation, the tiniest of squints or eyebrow-raising can show thoughts or shock.” ![]()
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